Seriously, why? I’m still cudgeling my brain about what aspect of Crown for Christmas I liked. I don't mean to be overly hard on it. The film was sweet and pleasant and I came away feeling good for having seen it. And that's what a cheesy Christmas movie should do, right? Mission accomplished. I'm just trying to parse why it did.
It can’t be the acting (in general; more on that anon). That was textbook recitation more than anything. Courteous courtiers, jovial servants, a nasty spoiled aristocrat, a single father who just happens to be a king. They weren’t so much dramatic roles as cogs in a machine.
And for the love of heaven don’t get me started on the realism. By which I mean there was none. At all. Whatsoever. Not a setting, not a plot point, not a single syllable of dialogue was plausible. Kings do not have their marriages arranged against their will. Servants and royalty do not all speak the Queen’s English in the same accent. In fact, there are no English-speaking countries at all on the European continent (except the Duchy of Grand Fenwick). Hotel maids in New York are not (so far as I know) fired merely for making eye contact with a guest. And that’s not even getting into the actual fairy-tale elements of the story, which strain believability like a piece of gum stuck to your shoe on a hot day.
(Several IMDb commenters pointed out that the proper mode of address for kings is “Your Majesty” rather than “Your Highness.” Technically true, although they are sometimes styled as “highness” in other contexts. Anyway, my understanding is that today they tend to prefer “sir.” Believe me, that’s the least of the film’s credibility problems.)
So back to the original question: why did I enjoy a film with so many howlers? Because, in the end, I actually did. I think maybe it’s because Danica McKellar doesn’t seem to be acting. I don’t mean that she’s a really good actress, although she may be with other material. I mean that I’m not sure she actually knew that the whole thing wasn’t real life, like maybe instead of a script they gave her hallucinogens and just let her interact with the cast. Also, the little girl (played sparklingly by Ellie Botterill) was so charming and delightful that the rest of the cast didn’t really need to be anything but her props.
So, like Abraham’s ten righteous men of Sodom, for the sake of those two actresses the film can be spared from the flames. Behold!
(Check out my other movie reviews here.)